-
Peter Alexander
Wedge (Purple), 1969
Polyester resin
79 x 5 1/4 x 4 1/2 in; 200.7 x 13.3 x 11.4 cm -
Billy Al Bengston
Venice, 1974
Watercolor on paper
11 1/4 x 11 1/4 in; 28.6 x 28.6 cm
Framed: 13 1/2 x 13 1/2 in; 34.3 x 34.3 cm -
Judy Chicago
Model for Fresno Fan #6, 1971
Sprayed acrylic lacquer on acrylic
15 x 30 in; 38.1 x 76.2 cm -
Judy Chicago
Optical Shapes #6, 1969
Acrylic on mat board
11 x 11 in; 27.9 x 27.9 cm -
Judy Chicago
Optical Shapes #7, 1969
Acrylic on mat board
11 x 11 in; 27.9 x 27.9 cm -
Ron Cooper
The Mind Sees A Color That Is Not Here, 1972
Neon and fluorescent light
8 x 96 x 5 in; 20.3 x 243.8 x 12.7 cm -
Mary Corse
Untitled, 2001
Glass microspheres in acrylic on canvas
24 x 53 1/2 in; 61 x 135.9 cm
Inscribed, signed, and dated on verso -
Laddie John Dill
Light Sentence (6), 1971
Zenon and argon
67 x 1/2 x 1/2 in; 170.2 x 1.3 x 1.3 cm -
Lorser Feitelson
Untitled, 1965
Oil on canvas
60 x 50 in; 152.4 x 127 cm -
Joe Goode
Matchbook, 1962
Pencil on paper
15 x 11 in; 38.1 x 27.9 cm
Framed: 22 1/4 x 18 1/4 in; 56.5 x 46.4 cm
Signed and dated lower right: Joe Goode '62 -
Joe Goode
Untitled (Black Photo Cloud Triptych), 1969-70
Oil on canvas
Triptych: 36 x 108 in; 91.4 x 274.3 cm | Each panel: 36 x 36 in; 91.4 x 91.4 cm
Signed and dated on verso: Joe Goode 1969-70 -
Frederick Hammersley
Sea Saw, 1966
Oil on linen
44 x 44 in; 111.8 x 111.8 cm
Signed and dated at bottom center: F Hammersley 1966 -
John McLaughlin
Untitled, c. 1962
Oil on paper
22 1/8 x 30 in; 56.2 x 76.2 cm -
De Wain Valentine
Circle, Blue Rose, 1977
Diameter: 18 in; 45.7 cm
Cast resin
